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Grounded, Relationship-Based Learning Through Land, Story, and Art

Indigenous Learning for Schools

School programming with Jessica Somers is built on relationship, respect, and Indigenous ways of knowing.
Drawing from Abenaki heritage and connection to the Indigenous communities in her area, Jessica works with schools to create learning experiences that are calm, meaningful, and deeply engaging for students and educators alike. This is not a one-day add-on or surface-level presentation. It is a way of teaching that helps students feel grounded, seen, and connected to the land beneath their feet, the stories they hear, and the learning they carry forward. Programs are adaptable from Kindergarten to Grade 12 and aligned with curriculum, wellness, and Indigenous education goals.

The Four Pillars of School Programming

All school workshops and programs are built on four interconnected pillars.

1. Land-Based Learning

How It Works

Students are guided outdoors into the school yard, nearby green space, or a designated land area.

They are invited to notice first:
• Sounds
• Smells
• Temperature
• Wind direction

Grounding activities may include placing hands on the ground and acknowledging the land with a simple reflection:
“What is the land offering today?”

Learning activities are simple and relational:
• Identifying plant relatives
• Learning directions
• Observing local ecosystems
• Exploring seasonal teachings such as winter rest or spring renewal

The land is treated as the first textbook. There are no worksheets outside.

Learning ends with group circles and reflection on what was learned by being present.

Jessica Somers leading an outdoor Land-Based Learning session in Northern Ontario, demonstrating the connection between local ecosystems and Woodland style artistic motifs.

Why This Matters

Land-based learning:
• Regulates nervous systems through sensory awareness
• Helps Indigenous and non-Indigenous students understand place and responsibility
• Builds respect, belonging, and reciprocity
• Makes curriculum tangible and memorable
• Supports trauma-impacted students through the predictability of nature

Who It’s For

• K–12 students, adapted by age
• Teachers seeking practical land-based strategies
• Schools wanting Indigenous learning rooted in relationship, not tokenism

After sessions, students often feel calmer, more curious, and more connected to the land and to each other.

2. Storytelling

How It Works

Every session begins in circle, where everyone can see everyone.

A storytelling object such as a rattle, stone, feather, or water sets the tone. Story is treated as ceremony and teaching, not entertainment.

Students learn the difference between a story and a lesson.

Stories are connected to:
• Seasons
• Animals
• Relationships
• Emotional teachings

Students are invited to retell stories in their own way through drawing, movement, drama, or words.

Story becomes the entry point to big ideas like empathy, identity, regulation, and relationships.

Jessica Somers using a vibrant Woodland style painting to share traditional Wabanaki stories and cultural teachings during a community workshop.

Why This Matters

Storytelling:
• Bypasses resistance and supports memory
• Builds oral literacy
• Creates emotional anchors for learning
• Restores Indigenous ways of knowing to the classroom

Who It’s For

• Students who struggle with traditional literacy
• Children needing emotional regulation tools
• Teachers seeking respectful cultural competency

After storytelling sessions, students often feel seen, calm, and engaged.

3. Immersed and Integrated Curriculum

How It Works

Programming aligns grade-by-grade with curriculum expectations.

Each grade is supported through a guiding theme:
• Kindergarten: Identity and land
• Grade 1: Animals and relationships
• Grade 2: Water and caretaking
• Grade 3: Community and governance
• Grade 4: History and treaties
• Grade 5: Ecosystems
• Grade 6: Leadership and responsibility
• Grade 7: Identity and worldview
• Grade 8: Preparation for secondary and deeper historical context

Required curriculum is used as the foundation, with Indigenous inquiry embedded throughout.

Teachers receive clear guidance on what to teach, when to teach it, and how to connect learning to real-world experience.

A visual representation of an integrated curriculum guide by Focal Point Artistry, showing how Woodland style art and Wabanaki teachings are woven into educational standards.

Why This Matters

• Schools struggle with meaningful integration and fear tokenism
• Students benefit from continuity year to year
• Learning becomes experiential instead of textbook-only
• Indigenous students see themselves reflected in school
• School boards receive support in meeting TRC commitments

After longer-term programming, teachers feel equipped rather than unsure, students show higher engagement, and administrators see alignment with equity and wellness goals.

4. Art as Teaching and Processing

How It Works

Learning flows from:
Story → Teaching → Emotional processing → Art expression

Materials may include charcoal, paint, clay, inks, and natural materials.

Jessica demonstrates the process first, emphasizing that art is not about being “good,” but about meaning-making.

Students are guided using Indigenous visual literacy:
• Shapes
• Symbols
• Patterning
• Colour teachings

Students express:
• What they learned
• What they felt
• What they want to remember

Many sessions end with a collaborative class piece.

Jessica Somers demonstrating the Woodland style "X-ray" technique to explain the internal spirit and teachings within a vibrant animal painting.

Why This Matters

Art:
• Unlocks expression for students who struggle to speak
• Supports regulation for anxiety and overwhelm
• Builds pride and confidence
• Connects learning to identity

Teachers learn an approach they can continue using without appropriating culture.

After sessions, students feel proud and capable, teachers witness meaningful engagement, and administrators see learning made visible on classroom walls.

What Happens in the Room

School workshops follow a consistent, calm rhythm.

• Circle always comes first
• Smudge is optional and guided by school policies
• Clear expectations are set: “We learn together. We take care of each other.”
• Jessica leads with calm authority, and students mirror it
• Learning is hands-on and participatory
• Land connection happens outdoors when possible, or through sensory grounding indoors
• Story holds the teaching
• Art supports processing
• Reflection is invited but never forced

Teachers often observe and say, “This is what culturally responsive teaching actually looks like.”

A wide shot of a Focal Point Artistry workshop room showing participants of various abilities engaged in a mindful, culturally grounded art session led by Jessica Somers.

Bringing Indigenous Learning Into Your School

School programming can include single workshops, series, or longer-term integration depending on your goals. Programs are adapted for age, ability, space, and school priorities. To discuss workshops, curriculum integration, or school-wide programming, please visit the Contact and Booking page.
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